Models/Collections/Best Video-to-Video
Capability · Video15 ModelsUpdated Sep 2026

Best Video-to-Video

Models that transform an existing video into a new style or visual variation while preserving timing and structure. Useful for restyling, enhancement, and creative remixes.

The picks.Transform existing footage

TXT → VIDIMG → VID

Wan3.0

All-in-one multimodal video generation with native 30-second clips, large reference capacity, and precise video editing

$0.504/first-frame · 720p · 5s
Run
TXT → VIDIMG → VIDVID → VIDAUD → VID1080p

Common questions

FLUX Video Edit [fast], released September 2026 per the live catalog. Membership updates automatically as the catalog publishes new models to this collection.

Production notes

Every price on this page is the model's published rate from the live Runware catalog, using the cheapest listed configuration unless stated otherwise. Prices vary with resolution, duration, quality tier, or token volume, so check the pricing table on each model page before estimating unit economics.

The Runware catalog does not publish per-model latency figures, so this page does not quote end-to-end timings. Where a model's own description commits to speed (for example sub-second generation or realtime streaming), that claim is repeated here. For anything else, benchmark the exact models in the Playground with your own payload sizes before committing to an SLA.

Models are addressed by versioned AIR identifiers, so a workflow pinned to specific model versions keeps producing the same behaviour as new versions ship. Adopt upgrades deliberately by re-running your evaluation set against the new version before switching production traffic.

About this collection

Models that transform an existing video into a new style or visual variation while preserving timing and structure. Useful for restyling, enhancement, and creative remixes.

Membership comes directly from the Runware catalog: the 15 models on this page are the live catalog's own membership for the "Best Video-to-Video" collection. Names, descriptions, pricing, capability chips, samples, and guides are all read live from the catalog — nothing here is hand-curated.

Model guides.Learn how to use the stack

Wan3.0

Document and web inputs with Wan 3.0

How to turn structured content into video with Wan 3.0: recipes as cooking videos and public webpages as short landmark or historical montages.

Read the guide →
Wan3.0

Image inputs with Wan 3.0

How to use images with Wan 3.0's video generation: pin an image as the first frame, morph between two frames, and carry subject or product identity across new scenes with reference images.

Read the guide →
Wan3.0

Prompting Wan 3.0

How to write prompts for Wan 3.0 that get you the shot: how the model reads layered directives, camera language, style and register range, directing native audio, and the dimensions and duration rules.

Read the guide →
Wan3.0

Video and audio references with Wan 3.0

How to use video and audio references with Wan 3.0: carrying a subject across new scenes with referenceVideos, driving video from an audio source with referenceAudios, and combining multiple reference types in one call.

Read the guide →
MiniMax H3

Editing video

How to edit a finished clip with a prompt in MiniMax H3: replace a subject, relight a scene, add or remove elements, and combine edits, keeping the rest untouched.

Read the guide →
MiniMax H3

First and last frame

How to animate a still image with MiniMax H3 and bridge a first and last frame into one continuous shot, with the output following the image's own aspect ratio.

Read the guide →
MiniMax H3

Generating video

How to generate video from text with MiniMax H3: the six 2K aspect ratios, 5 to 15 second durations, native synced audio, and prompting for cinematic shots.

Read the guide →
MiniMax H3

Motion, camera, and performance

How to transfer motion, a camera move, or an acting performance from a reference video onto a new subject with MiniMax H3 Omni Reference.

Read the guide →
MiniMax H3

Reference-driven consistency

How to lock a character, product, or style across a new MiniMax H3 shot with Omni Reference images, and address each reference by index in the prompt.

Read the guide →
MiniMax H3

Sound and voice

How to direct MiniMax H3's native audio from the prompt: ambience, synced sound effects, music, and spoken dialogue with lip-sync.

Read the guide →
Gemini Omni Flash

Cinematic prompting

How to prompt Gemini Omni Flash for cinematic video using Google's five-element structure, camera language, and the less-prescriptive sweet spot.

Read the guide →
Gemini Omni Flash

Editing video

How to edit existing footage with Gemini Omni Flash's inputs.video parameter to relight, restyle, swap weather, or add characters while preserving the source's composition and motion.

Read the guide →
Gemini Omni Flash

Reference-driven video

How to use Gemini Omni Flash's reference image workflow to lock a visual style, hold a character across scenes, or guide a video through storyboard key beats.

Read the guide →
Ray3.2

Transforming and restyling video

How to transform footage with Luma Ray 3.2: restyle or reskin a clip while its motion carries through, using the strength dial and per-signal conditioning controls.

Read the guide →
Ray3.2

Generating video from text and images

How to generate cinematic video with Luma Ray 3.2: text-to-video, image-to-video, frame-level keyframes, and the resolution, duration, HDR, and loop controls.

Read the guide →
Ray3.2

Reframing video for any aspect ratio

How to reframe footage with Luma Ray 3.2: convert a clip to a new aspect ratio or a larger canvas while the model extends the scene, using inputs.video and sourcePosition.

Read the guide →
LTX-2.5 Pro

Audio-driven characters

How to drive a lip-synced performance with LTX-2.5 Pro: pairing inputs.audio with a reference image, matching voice to subject, and the length, resolution, and framing rules.

Read the guide →
LTX-2.5 Pro

Camera movement

How to control the camera in LTX-2.5 Pro: the eight settings.cameraMovement presets, the prompt camera vocabulary, and when to reach for a reliable preset versus a described move.

Read the guide →
LTX-2.5 Pro

First and last frame

How to animate images with LTX-2.5 Pro using inputs.frameImages: turning a still into motion, directing the ending with a last frame, and building clean loops.

Read the guide →
LTX-2.5 Pro

Multi-shot sequences

How to prompt LTX-2.5 Pro for multi-shot video: cutting between shots in one generation, naming transitions, holding character and audio across cuts, and giving each shot a job.

Read the guide →
LTX-2.5 Pro

Native audio

How to generate synchronized audio with LTX-2.5 Pro: turning on settings.audio, prompting ambient sound and effects, directing spoken dialogue with accent and lip-sync, and balancing the mix.

Read the guide →
LTX-2.5 Pro

Prompting

How to write text-to-video prompts for LTX-2.5 Pro: the six-part shot scaffold, directing the action and camera, matching detail to shot scale, and prompting its native audio.

Read the guide →
P-Video-Edit

Draft mode and reproducible reruns

How to use settings.draft in Pruna P-Video-Edit to preview an edit at a lower rate before committing, and how seed makes the run you approved repeatable.

Read the guide →
P-Video-Edit

Editing video

How to edit a finished clip with Pruna P-Video-Edit: one source video, one written instruction, and the motion, framing and audio the model holds while it changes what you named.

Read the guide →
P-Video-Edit

Prompt upsampling

How settings.promptUpsampling rewrites your instruction before Pruna P-Video-Edit runs it, what it invents when a prompt is thin, and why a precise instruction barely notices it.

Read the guide →
P-Video-Edit

Editing with reference images

How to steer a Pruna P-Video-Edit edit with up to four reference images, when a still pins down a product or garment better than words, and how references differ from P-Video-Replace.

Read the guide →
P-Video-Edit

Removing objects from video

How to remove an object or a person from a clip with Pruna P-Video-Edit, naming the target and the surface that continues behind it so the fill holds for every frame.

Read the guide →
FLUX Video Edit [fast]

Changing the setting

How to relight a clip, move it to another season, or swap the background behind a subject with FLUX Video Edit [fast], without regenerating the shot.

Read the guide →
FLUX Video Edit [fast]

Dialogue, on-screen text and localization

How to change what someone says with FLUX Video Edit [fast], translate a line into another language, and swap the on-screen text in the same frame.

Read the guide →
FLUX Video Edit [fast]

Editing video

How to edit a finished clip with FLUX Video Edit [fast]: one source video, one written instruction, and everything you did not mention arriving untouched.

Read the guide →
FLUX Video Edit [fast]

Removing objects from video

How to take an object, a person or a sticker out of a clip with FLUX Video Edit [fast], naming what continues behind it so the fill holds for every frame.

Read the guide →
FLUX Video Edit [fast]

Replacing and adding elements

How to swap a product, change wardrobe, or put something new into a clip with FLUX Video Edit [fast], and why an added object needs its light described.

Read the guide →
FLUX Video Edit [fast]

Restyling a clip

How to convert footage into another medium with FLUX Video Edit [fast], from vector animation to film stock, while the performance and camera move stay exactly as shot.

Read the guide →
FLUX Video Edit [fast]

Preparing source video

How to prepare source clips for FLUX Video Edit [fast]: the 15-second, 50 MiB and 720p envelope, what the output inherits, and how to work with footage that does not fit.

Read the guide →
P-Video-Replace

Product and wardrobe variations

How to swap a single on-camera object (a product or a garment) in a source video with Pruna P-Video-Replace, without touching the rest of the frame.

Read the guide →
P-Video-Replace

Recasting iconic film scenes

How to recreate iconic film scenes with a text-to-video model, then recast the on-camera character with Pruna P-Video-Replace to drop yourself or any reference into the shot.

Read the guide →
P-Video-Replace

Replacing the character in a video

How to use Pruna P-Video-Replace to swap the on-camera character in an existing video with one from a reference image while preserving the original motion, timing, camera, lighting, and audio.

Read the guide →
P-Video-Animate

Animating images with a source video

How to use Pruna P-Video-Animate to bring a still reference image to life by inheriting the motion, timing, and camera move from a source video.

Read the guide →